Accessibility

Accessibility issues with toasts and how to mitigate them

You may have recently read Adrian Roselli’s Scraping Burned Toast, Chris Coyier’s summary of the current “toast conversation”. Or maybe you’ve browsed the GitHub repository for A Standard ‘Toast’ UI Element and its WICG discussion thread.

Or maybe you’re familiar with the concept of toasts from Android development and Material Design.

But regardless of how familiar you are with the concept of a “toast”, work has been progressing on try to pave the existing cow paths different UI library definitions have set for said potential component. Unfortunately, the level of concern given to the accessibility and inclusive UX of a toast component varies quite a bit, depending on which component library you review.

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Defining a toast

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At a high level, toasts should be used to indicate the completion of a task or process initiated by the user or the application itself. For instance, a notification verifying the saving of a file, that a message had been properly sent, or a that a meeting was about to start.

If someone were to ignore, or miss a toast message, due to its timed display, there should be no negative impact on their current activities or the status that the message conveyed. Using the previous examples, ignoring a toast message would still mean that a file was saved, that a message was sent, or that a meeting was about to start.

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Inclusive UX of a toast

A toast component should be considered a type of status message, and thus should be given a role="status". This will ensure that when a toast is displayed on screen, its contents will be, politely, communicated to assistive technologies, such as screen readers.

Ideally, a toast component should contain no interactive controls, as by doing so an immediate divergence of inclusive UX is introduced.

 

See the source link for a list of issues and some ways to mitigate them.

How My Brain-Damaged Mother Changed How I Look at Interface Design

My mom is an O.G. console cowgirl, a real-life hidden figure. Working for Ma Bell in the early ’70s, she was responsible for administrating some of the most powerful computers then in the country, the ones that drove our telephone systems. “I’m one of only seven people who know how to program these,” I remember her once bragging as she swept her hand across a clean room the size of an aircraft hanger filled to the ceiling with blinking, whirring mainframes.

But Sally Brownlee isn’t so good with computers anymore. Last March, she was hit by a car while walking her dog. Everyone survived, but Wally lives with another family now (he’s happy; I hear they have a beach house), and as for Mom, who suffered permanent brain damage, she’s not the same in innumerable ways. But in no way is the change more quantifiable to me than when I watch her stares uncomprehendingly at the keyboard of her laptop, or try and fail to use her iPad for the umpteenth time. This woman’s technical expertise launched a billion phone calls, yet now, she is routinely thwarted by what many hail as one of the most accessible UIs on the planet.

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[T]he older we get, the more we act like we’re cognitively disabled: Again, according to Nielsen, people’s ability to use websites effectively declines 0.8% every year over the age of 25.

“It happens naturally,” [Lisa Seeman, a member of IBM Accessibility Research and the editor of the World Wide Web Consortium’s standards for making designs for individuals with cognitive disabilities] explains. “We get older, and even without having something like dementia, we become less capable of figuring new things out.” And this isn’t true only for seniors. Cognitive ability is a spectrum, not a binary switch: It goes down when you’re stressed, tired, depressed, hungry, or in pain. “Everybody has the same cognitive impairments when they’re stressed or depressed,” Seeman says.

In other words, cognitive accessibility isn’t just relevant for people with brain damage, like my mother. It’s relevant to everyone, from people with migraines to neophytes in emerging markets who don’t have software translated yet into their local languages.

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So what’s the answer? A system-level toggle you flip to tell software you’re cognitively disabled, which then dumbs down your interfaces accordingly? Nothing so gauche, laughs Seeman. Where the industry needs to go, she says, is dynamic UIs: Interfaces that aren’t built on an assumption of computer literacy but adjust to a user’s capabilities in real time. “What we need are interfaces that meet the user where they already are,” she says.

An Alphabet of Accessibility Issues

A is blind, and has been since birth. He’s always used a screen reader, and always used a computer. He’s a programmer, and he’s better prepared to use the web than most of the others on this list.

B fell down a hill while running to close his car windows in the rain, and fractured multiple fingers. He’s trying to surf the web with his left hand and the keyboard.

C has a blood cancer. She’s been on chemo for a few months and, despite being an MD, is finding it harder and harder to remember things, read, or have a conversation. It’s called chemo brain. She’s frustrated because she’s becoming more and more reliant on her smart phone for taking notes and keeping track of things at the same time that it’s getting harder and harder for her to use.

See the source for the rest.

Brutalist Web Design

The term brutalism is often associated with Brutalist Architecture, however it can apply to other forms of construction, such as web design.

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The term brutalism is derived from the French béton brut, meaning “raw concrete”. Although most brutalist buildings are made from concrete, we’re more interested in the term raw. Concrete brutalist buildings often reflect back the forms used to make them, and their overall design tends to adhere to the concept of truth to materials.

A website’s materials aren’t HTML tags, CSS, or JavaScript code. Rather, they are its content and the context in which it’s consumed. A website is for a visitor, using a browser, running on a computer [or mobile device] to read, watch, listen, or perhaps to interact. A website that embraces Brutalist Web Design is raw in its focus on content, and prioritization of the website visitor.

Brutalist Web Design is honest about what a website is and what it isn’t. A website is not a magazine, though it might have magazine-like articles. A website is not an application, although you might use it to purchase products or interact with other people. A website is not a database, although it might be driven by one.

They list the following principles:

Users Don't Hate Change. They Hate Our Design Choices.

For years, we studied teams rolling out new designs, to see if we could mitigate negative reaction to new releases and design changes. We studied hundreds of product and service rollouts. We watched and learned from the reactions of thousands of users.

When we dug into what those users’ reactions [were], patterns emerged. The users told us the changes inconvenienced them. They had no idea the change was coming and suddenly it was in their face. Users were upset because they were surprised.

They also told us the old version worked fine. Even when it took a while to get comfortable, they learned it. Many users mastered difficult-to-use designs.

Everything was different when the new version arrived. What they’d mastered before didn’t help them now. The company said it was an improved design, but they couldn’t see the improvements. Why should these users learn something new that doesn’t help them? Users were upset because they couldn’t see the value.

We also saw many instances where users didn’t react negatively to changes. Often, they didn’t react at all. We saw new designs that didn’t affect the users’ behaviors and they didn’t pay attention to it.

In these cases, the changes were often not noticeable. Sometimes the changes were small and isolated. Yet, we also saw users seemingly not notice several updates with extensive changes. (In more than one instance, an entire application’s infrastructure had been rewritten without a single user noticing.)

In cases when the design changes were noticeable, the designers gave the users control to switch when they wanted. The designers showed why the change was valuable to the users. And the designers made the transition easy by taking the knowledge and experience their users already had with the product into account.

Designing Accessible Content: Typography, Font Styling, and Structure

There are many design considerations for making your content more accessible to all. Some things to think about and build into your design workflow include:

  • Choose a common font that most users have encountered before.
  • The “serif vs. sans-serif debate” is not a huge deal if you choose a common font family or one that has unique characters.
  • Avoid specialty display fonts or font families that are not unique (ex. letters or numbers that could mirror each other).
  • Your fonts should have a minimum size of 14px (ideally more) and when coded should use relative values.
  • Pay attention to color and contrast! Use tools to check the ratio between the text and background and be wary of gray.
  • Don’t rely on color alone to signify information (ex. “click on the red button”).
  • Clearly define paragraph and letter spacing.
  • Do not let the overall width of the content exceed 80 characters (40 characters for logograms).
  • Avoid paragraph alignment (such as justified) which creates whitespace within the content.

Not Your Father's Navigation Strategy: There's More Than Just the TAB Key

As a blind screen reader user, and in my career educating designers, developers, and testers on accessibility issues, I have had the opportunity to observe the techniques used by various users to understand the layout and operation of web pages and applications. I have also seen well-intentioned sighted testers believe that components or entire sites are not accessible because they were unfamiliar with the techniques of navigating the web without sight.

In this article, I will walk you through the ways a blind screen reader user can navigate a web page, gather information about its layout and organization, and use that knowledge to efficiently and rapidly navigate a site or application. I hope to convey the importance of using techniques other than the TAB key as a primary means of navigating a website and illustrate the power you provide to a screen reader user by following semantic HTML markup and the principles of the Web Content Accessibility Guidelines.

Revisiting prefers-reduced-motion, the reduced motion media query

Two years ago, I wrote about prefers-reduced-motion, a media query introduced into Safari 10.1 to help people with vestibular and seizure disorders use the web. The article provided some background about the media query, why it was needed, and how to work with it to avoid creating disability-triggering visual effects.

The article was informed by other people’s excellent work, namely Orde Saunders’ post about user queries, and Val Head’s article on web animation motion sensitivity.

We’re now four months into 2019, and it makes me happy to report that we have support for the feature in all major desktop browsers! Safari was first, with Firefox being a close second. Chrome was a little late to the party, but introduced it as of version 74.

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Reduce isn’t necessarily remove

We may not need to throw the baby out with the bathwater when it comes to using animation. Remember, it’s prefers-reduced-motion, not prefers-no-motion.

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If the meaning of a component is diminished by removing its animation altogether, we could slow down and simplify the component’s animation to the point where the concept can be communicated without potentially being an accessibility trigger.

Reader Mode: The Button to Beat

A reminder of why reader modes exist in browsers and to embrace them as a user’s right:

Good design isn’t about forcing someone to walk a tightrope across your carefully manicured lawn. Nor is it a puzzle box casually tossed to the user, hoping they’ll unlock it to reveal a hidden treasure. Good design is about doing the hard work to accommodate the different ways people access a solution to an identified problem.

For reading articles, the core problem is turning my ignorance about an issue into understanding (the funding model for this is a whole other complicated concern). The more obstructions you throw in my way to achieve this goal, the more I am inclined to leave and get my understanding elsewhere—all I’ll remember is how poor a time I had while trying to access your content. What is the value of an ad impression if it ultimately leads to that user never returning?