Two years ago, I wrote about
prefers-reduced-motion, a media query introduced into Safari 10.1 to help people with vestibular and seizure disorders use the web. The article provided some background about the media query, why it was needed, and how to work with it to avoid creating disability-triggering visual effects.
We’re now four months into 2019, and it makes me happy to report that we have support for the feature in all major desktop browsers! Safari was first, with Firefox being a close second. Chrome was a little late to the party, but introduced it as of version 74.
Reduce isn’t necessarily remove
We may not need to throw the baby out with the bathwater when it comes to using animation. Remember, it’s
If the meaning of a component is diminished by removing its animation altogether, we could slow down and simplify the component’s animation to the point where the concept can be communicated without potentially being an accessibility trigger.
These snippets are my attempt to save and organize various bits of code, best practices, and resources relating to web development and design. They also function as a to do list of sorts, for things I want to implement in my own code, but haven't yet. The concept is inspired by Jeremy Keith's links and CSS-Tricks, among other things. Enjoy.
Even though Microsoft has explicitly told the world to stop using Internet Explorer 11, many organizations still have a significant enough IE11 user base that they have no choice but to build their products to acquiesce to the aging browser’s idiosyncratic demands.
Whether you are new to the world of building the front-end for Internet Explorer 11 compatibility or you are an old hand who knows their way around all the IE11 pitfalls, read on to learn more about:
- Choosing the right environment for debugging
- Tackling CSS layout issues
- Understanding the IE11 debugger
Armed with these tips, one should be able to quickly solve problems in the instance when a web application works perfectly on everything but IE11.
A reminder of why reader modes exist in browsers and to embrace them as a user’s right:
Good design isn’t about forcing someone to walk a tightrope across your carefully manicured lawn. Nor is it a puzzle box casually tossed to the user, hoping they’ll unlock it to reveal a hidden treasure. Good design is about doing the hard work to accommodate the different ways people access a solution to an identified problem.
For reading articles, the core problem is turning my ignorance about an issue into understanding (the funding model for this is a whole other complicated concern). The more obstructions you throw in my way to achieve this goal, the more I am inclined to leave and get my understanding elsewhere—all I’ll remember is how poor a time I had while trying to access your content. What is the value of an ad impression if it ultimately leads to that user never returning?
This is pretty cool: you can use this to visually display the differences between two fonts - usually a fallback font and a web font - and adjust the various CSS font properties to match them as closely as possible to reduce the amount of page shifting that may occur when the web font loads. Also includes a longer paragraph at the bottom that can compare the two fonts either by overlaying them statically or by switching between them at a regular interval.
On the surface, Service Workers look quite similar to Web Workers. They both run on separate threads from the main UI thread, they have a global
This led us to our first real hurdle with Service Worker. Our goal, as we originally conceived it, was to use PouchDB’s existing replication APIs to enable bi-directional sync between the client and the server, with the client code isolated entirely to the Service Worker.
This resulted in a silent error, which took quite a while to debug. The culprit? Well, PouchDB’s “live” sync depends on HTTP longpolling — in other words, it maintains an ongoing HTTP connection with the CouchDB server, which is used to send real-time updates from the server to the client. As it turns out, this is a big no-no in Service Worker Land, and the browser will unceremoniously drop your Service Worker if it tries to maintain any ongoing HTTP connections. The same applies to Web Sockets, Server-Sent Events, WebRTC, and any other network APIs where you may be tempted to keep a constant connection with your server.
What we realized is that “the Zen of Service Worker” is all about embracing events. The Service Worker receives events, it responds to events, and it (ideally) does so in a timely manner — if not, the browser may preemptively terminate it. And this is actually a good design decision in the spec, since it prevents malicious websites from installing rogue Service Workers that abuse the user’s battery, memory, or CPU.
For years, base or reset stylesheets have helped web developers get started faster.
Early resets eliminated all visual styling, putting the burden of defining styles for every element on the webmaster. This made sense when there weren’t as many elements or properties, and when each browser did something very different than the others. By zeroing everything out, you start from a blank page. There were many reset stylesheets that took this approach. Eric Meyer’s became the most popular.
More recently, Normalize and similar projects took a different approach. Rather than removing all styling, they set out to create sensible defaults and eliminate browser bugs. Use one of these and you get a consistent base across all browsers.
CSS Remedy takes a slightly different approach. These days, browsers are far more consistent in how they render CSS. But there are limitations on how far browsers can improve their User Agent Stylesheet. The defaults for the web have to be consistent with the past. Many desirable changes would break millions of existing websites.
You, however, don’t have to stay in the past. You can override the UA styles with more modern ideas of how CSS should work by default. Introducing CSS Remedy.
FLIP is an approach to animations that remaps animating expensive properties, like width, height, left and top to significantly cheaper changes using transforms. It does this by taking two snapshots, one of the element’s First position (F), another of its Last position (L). It then uses a transform to Invert (I) the element’s changes, such that the element appears to still be in the First position. Lastly it Plays (P) the animation forward by removing the transformations applied in the Invert step.